Things You Might Not Know About Liquids, Glides, and Combinations

 

Hi friends! This week I'm finishing up our review of the consonant sound groupings. If you are working on implementing a sound wall or shifting your approach to teaching phonics, then this is a great review.

We now understand that sound production and mouth formations are key to helping students link the phonemes, those sounds that they hear, to the graphemes, which are the letter representations of those spoken sounds. They also provide students and teachers with cues for error corrections. Explicitly teaching these to our students provides them with the knowledge and ability to analyze sounds in a deeper way. These articulatory gestures are grouped by stops, fricatives, nasals, affricates, liquids, glides, and combinations. You can find the whole series through the links at the end of this post.

In this week's post and video, we're going to be reviewing liquids, glides, and combinations. Liquids are those sounds that seem to float in our mouth. They influence the vowels that come before them, and their pronunciation changes somewhat according to the surrounding sounds.

What are liquid sounds?

We have l and r. When we make the /l/ sound, we lift our tongue to the top of our mouth behind our teeth. The /r/ sound is one that often poses difficulty for students and teachers alike. We want to make sure that we're producing this in its purest form. It sounds different from the combination vowel-r.

Tips for producing the r sound

There are actually two different ways you can place your mouth. You want to determine what's going to work best for you and your students. One way is to have students round their mouth and curl their tongue to the sides as they pull their tongue down and back. Sometimes, I'll tell my students to make their mouth like they're blowing a kiss and then just relax that a little bit. I demonstrate this sound in the video above. 👆 Another way to produce the sound is to have both sides of the tongue touching the top of the mouth and then have the tongue retracting. You decide what works for you. The liquids can take some time to practice in isolation, but mouth formation and placement can assist /l/ and /r/.

Glides

Glides are those sounds that have vowel-like qualities. They combine with vowels and are almost always followed by a vowel. They literally glide into the vowel sound. When working on individual phonemes, we want to try to keep the vowel sound from the end of the sound production. Our glides are wh, w, and y. Some programs will teach /w/ as either voiced or unvoiced. Go with what your program teaches, but understand that there is a current shift in American English right now where /hw/ and /w/ are being produced the same way as voiced sounds. Regardless of if you teach /w/ as a voiced or unvoiced sound, you want to round your lips. For /hw/, you want to form the mouth the same way. Again, some programs are going to teach wh as voiced, some as unvoiced.

Our final glide is y. For the mouth placement for this phoneme, we want to make sure that we're kind of smiling and pulling that tongue back from the roof of the mouth.

Finally, we have two combinations, two sounds that are coming together. We have the letter x, and some programs teach qu. The phoneme for the letter x is made up of two sounds. I demonstrate these sounds in the video above.

We always want to bring it back to the mouth formations and checking that the sound is matching up with how we're forming them in our mouth. Make sure you are doing lots of practice activities for practice in isolation, within words, connecting to reading and spelling applications. All of these are key for student success.

I hope this video helps you with identifying liquids, glides, and combinations. You can find the whole series on sound production on my Instagram TV, YouTube channel, and my other blog posts. If you want more tips and information about reading and dyslexia, be sure to get on our newsletter HERE. 

I've had lots of people asking about the sight word strategy that I created. You can read the blog for a deeper dive into these sound-to-print cards that are one of my favorite tools for teaching sight words to my students. 

Automatic reading involves developing strong orthographic representations, which allows fast and accurate identification of whole words with specific letter patterns. I have an entire blog on orthographic mapping.
 
Helping students map explicitly taught phonemes (sounds) to graphemes (letter representations) builds automaticity so that words become unitized and stored in our memory, making them sight words.
 
As a dyslexia therapist, I work with students from PK-adult. I wanted a resource that I could use across grades that showed the sound-letter correspondence, the spelling generalizations, and the etymology of words. With these cards, I can quickly scaffold based on my student needs as we address both reading and spelling applications.
 
How does it work? You can read the blog that breaks it down HERE, but in summary, several years ago I created a color-coding system to map phonemes to graphemes:
 
🟢 (green dot) = there is a direct correlation between the sound and the letter representation. 50% of our words have a direct sound-symbol correspondence.
 
🟡 (yellow dot) = there is a spelling generalization or syllable pattern to note. This knowledge will grow over time as you explicitly teach phoneme-grapheme correspondences. These are included on the cards for you as a reference. 
 
🔴 (red dot) = this notes a part of the word in which the spelling pattern is irregular, usually based on etymology, and which I have included on the cards. 
 
You can check out this jam-packed bundle HERE
 

Another Fun Update

I had a wonderful opportunity to write an article for DYSTINCT magazine. I discuss the role that literacy therapists have in collaboration with schools for student success. Click the image above to access to the current issue. I hope you enjoy it! 
 
Have a great week!
Casey
 
 
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